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Knowledge

Martial arts lexicon

Systems and terms grouped by cultural area – with native spelling, meaning, origin and the connections between them.

Many martial arts come from different cultures and eras – and still share a great deal. Originally people fought with and without weapons: whoever lost their weapon on the battlefield kept fighting with bare hands and feet.

Over the centuries this produced punches, elbows, knees, head butts, kicks, joint locks, throws, counter-throws, counter-locks and ground fighting. It was about bare survival. Only in modern times were many of these systems turned into sports – martial arts also became combat sports with rules, weight classes and competition.

This lexicon groups systems and terms by cultural area. Each colour line stands for one area, and the connections show what a system grew out of or which system a term belongs to. Where possible the native spelling and its literal meaning are given.

Highlighted entries are training areas at CFC Die Kampfkunstschule in Villach – one click takes you to the matching page.

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Filter by country of origin or cultural area, by the historically documented period of origin, and by whether it is a martial art, a combat sport, a self-defense system or a term.

Training areas at CFC Die Kampfkunstschule

China – Kung Fu / Wushu

  • Lei Tai Kickboxen

    擂台 (Lèi Tái) – “raised fighting platform” – a stage without ropes

    擂台 · chinesisches Vollkontakt-Kickboxen (Sanda-Regelwerk)

    Chinese full-contact combat sport fought on the raised fighting platform (“lei tai”) without ropes: whoever is thrown off or gives up loses. Historically these bouts were fought without protection and sometimes to the death; rules, protective gear and today's competition format only came later. Headcoach Erich Ferlesch brings full-contact experience from lei tai kickboxing – not to be confused with Thai boxing.

    Origin: ChinaEra: platform bouts since the Song dynasty, modern competition format from the 20th centuryCombat sport

    Grew out of Sanda / Sanshou
  • Hakka-Systeme

    客家 – “guest families” – an ethnic group of southern China

    客家 · Southern Praying Mantis, Bak Mei, Dragon Style

    A family of southern Chinese close-range systems with short paths, compact structure and strong body mechanics – structurally related to Wing Chun.

    Origin: Southern China (Hakka communities)Era: from the 18th/19th centuryMartial art

    Grew out of Kung Fu (Gong Fu, 功夫) allgemein
  • Choy Lee Fut

    蔡李佛 – after the teachers Choy, Lee and the Buddhist heritage (Fut)

    蔡李佛 · Choy Li Fut

    Southern Chinese system with wide, powerful arm techniques and mobile footwork. Combines southern hand work with northern kicks.

    Origin: China (Guangdong)Era: founded in 1836Founder: Chan Heung (1806–1875), founded in 1836Martial art

    Grew out of Kung Fu (Gong Fu, 功夫) allgemein
  • Hung Gar

    洪家 – “Hung family”

    洪家 · Hung Ga Kuen

    Southern Chinese system with deep stances, strong structure and animal forms (tiger and crane among others). Known through the Wong Fei-hung lineage.

    Origin: China (southern China)Era: from the 18th/19th centuryFounder: traditionally attributed to Hung Hei-gun (18th/19th c.)Martial art

    Grew out of Shaolin Kung Fu
  • Yiquan

    意拳 (Yìquán) – “intention boxing”

    意拳 · Dachengquan (大成拳)

    Internal martial art without fixed forms, developed out of Xingyiquan. Its core is standing practice (zhan zhuang), plus movement work (shili), footwork and free practice – intention (yi) directs the force.

    Origin: China (Beijing)Era: 1920s, founded by Wang XiangzhaiFounder: Wang Xiangzhai (1885–1963)Martial art

    Grew out of Xingyi Quan
  • Kung Fu (Gong Fu, 功夫) allgemein

    功夫 (Gong Fu) – “skill acquired through time and effort”

    Kungfu · Wushu (武術) · Quanfa

    Umbrella term for the Chinese martial arts; literally “skill acquired through time and effort”. In Chinese itself, Wushu is the more common term.

    Origin: ChinaEra: grown over centuriesTerm / person

  • Tai Chi Chuan

    太極拳 (Taijiquan) – “boxing of the supreme ultimate”

    太極拳 · Taijiquan · Chen, Yang, Wu (Hao), Wu, Sun

    Internal martial art with slow forms, structure work and partner drills (tuishou). It is transmitted in five major family lines: Chen (the oldest, with fast power releases), Yang (the most widespread), Wu/Hao, Wu and Sun. Today mostly practiced as a health and movement art.

    Origin: ChinaEra: from approx. the 17th centuryFounder: Chen Wangting (17th c., Chen family); popularised by Yang Luchan (1799–1872)Martial art

    Grew out of Wudang-Boxen
    Historic photograph of Yang Chengfu performing the tai chi posture “single whip”
  • Wudang-Boxen

    武當 · Wudang Quan

    Collective name for the “internal” Daoist-influenced systems with sword and hand forms. Emphasises softness, breathing and body axis.

    Origin: China (Wudang mountains)Era: traditionally attributed to Daoist monasteriesTerm / person

  • Wuji

    無極 (Wuji) – “the limitless”

    無極

    Describes the state before any movement – the starting posture of many internal systems. Practised as a standing and breathing exercise.

    Origin: ChinaEra: philosophical concept, used in forms since the Qing eraTerm / person

    Grew out of Tai Chi Chuan
  • Xingyi Quan

    形意拳 (Xingyiquan) – “form and intention boxing”

    形意拳

    Internal martial art with straight, very direct attacking lines (five elements, animal forms). Short, powerful, with little evasion.

    Origin: China (Shanxi/Hebei)Era: from approx. the 17th/18th centuryFounder: traditionally attributed to Ji Longfeng (17th c.)Martial art

    Grew out of Wudang-Boxen
  • Ba Gua Zhang

    八卦掌 (Baguazhang) – “eight trigram palm”

    八卦掌

    Internal martial art built on circle walking, turning and constant change of position. Palm techniques rather than punches dominate.

    Origin: China (Beijing)Era: 19th centuryFounder: Dong Haichuan (approx. 1797–1882)Martial art

    Grew out of Wudang-Boxen
  • I Liq Chuan

    意力拳 (Yili Quan) – “boxing of intention and force”

    意力拳 · Zhong Xin Dao

    Internal martial art focused on awareness, contact sensitivity and center rather than fixed technique sequences. Strongly partner-based (spinning hands).

    Origin: Malaysia / ChinaEra: 20th century (Chin Lik Keong)Founder: Chin Lik Keong (b. 1935), continued by Sam F. S. ChinMartial art

    Grew out of Tai Chi Chuan
  • Shaolin Kung Fu

    少林 (Shàolín) – “young forest” – the monastery's name

    少林 · Shaolin Quan

    External Kung Fu system with animal forms, jumps, weapon forms and demanding basics. Formative for many later Chinese systems.

    Origin: China (Henan)Era: monastery founded 495 AD, martial tradition from the Middle AgesFounder: monastery founded in 495; the martial tradition is attributed to Bodhidharma (not historically confirmed)Term / person

    Grew out of Kung Fu (Gong Fu, 功夫) allgemein
  • Sanda / Sanshou

    散打 / 散手 (Sanda / Sanshou) – “free fighting” / “free hand”

    散打

    Chinese full-contact combat sport combining strikes, kicks and throws. A sporting distillation of traditional Kung Fu techniques.

    Origin: ChinaEra: modern competition format from the 1970sFounder: no single founder – developed from 1979 as a state competition format in ChinaCombat sport

    Grew out of Kung Fu (Gong Fu, 功夫) allgemein
  • Shuai Jiao

    摔跤 – “throwing and falling”

    摔跤 · chinesisches Ringen

    Chinese throwing art with jacket grips, standing wrestling without ground work. It provides the throwing and clinch layer in sanda and lei tai kickboxing.

    Origin: ChinaEra: ancient roots, modern competition format from the 20th centuryCombat sport

    Grew out of Kung Fu (Gong Fu, 功夫) allgemein
  • Tanglangquan (Mantis)

    螳螂拳 – “praying mantis fist”

    螳螂拳 · Gottesanbeterin-Stil

    Kung Fu system with hooking hands, fast hand sequences and constant sticking to the opponent’s arm. One of the defining systems in Hong Kong since the 1950s.

    Origin: China (Shandong), widely spread in Hong KongEra: from the 17th/18th centuryFounder: traditionally attributed to Wang Lang (17th/18th c.)Martial art

    Grew out of Kung Fu (Gong Fu, 功夫) allgemein
  • Jian & Dao

    劍 / 刀 – “sword” / “sabre”

    劍 / 刀 · chinesisches Schwert und Säbel

    The jian (“scholar’s sword”) is double-edged and thrust-oriented, the dao single-edged and cut-oriented – the standard weapon of Chinese armies. Both live on in the forms of tai chi, Shaolin and wushu, though mostly as practice and display forms.

    Origin: ChinaEra: Bronze Age to the modern eraWeapon

    Not a style of its own – part of Kung Fu (Gong Fu, 功夫) allgemein
    Chinese jian with scabbard and tassel

Japan & Okinawa – budō

  • Ninjutsu

    忍術 – “art of enduring / concealment”

    忍術 · Ninpō · Shinobi

    A collection of methods for reconnaissance, concealment, unarmed combat and weapon use. Hard to document historically; today mainly transmitted through schools such as Bujinkan.

    Origin: Japan (Iga, Kōga)Era: from the 15th century, modern schools from the 20th centuryFounder: no verified founder; modern transmission through Toshitsugu Takamatsu (1889–1972) and Masaaki Hatsumi (1931–2024)Martial art

    Grew out of Jiu Jitsu (Ju-Jutsu)
    Historic Japanese drawing from the Hokusai manga: climbing technique
  • Kenpo Karate

    拳法 (Kenpō) – “fist method”

    American Kenpo · Kempo (拳法)

    Strike-oriented system with fast hand combinations and clear self-defense sequences. Combines Japanese-Okinawan roots with Chinese influences.

    Origin: Japan/Okinawa → Hawaii, USAEra: modern form from the 1940s/1950sFounder: James Mitose and William K. S. Chow; American Kenpo through Ed Parker (1931–1990)Martial art

    Grew out of Karate-Dō
  • Shorinji Kempo

    少林寺拳法 – “fist method of the Shaolin temple”

    少林寺拳法

    Japanese system combining strikes and kicks (gōhō) with locks and throws (jūhō), paired with a strongly educational orientation.

    Origin: Japan (Shikoku)Era: founded in 1947Founder: Dōshin Sō (1911–1980), founded in 1947Martial art

    Grew out of Shaolin Kung Fu
  • Sumo

    相撲 – “mutual striking / wrestling”

    相撲 · Ōzumō

    Wrestling inside a ring (dohyō): whoever steps out or touches the ground with anything but the soles of the feet loses. Deeply shaped by Shintō ritual.

    Origin: JapanEra: ritual roots over 1,000 years old, professional sport since the 17th centuryCombat sport

    Grew out of Ringen / Wrestling
    Historic Japanese woodblock print of a sumo bout (1854)
  • Taikiken

    太気拳 – “fist of great energy”

    太気拳 · japanische Linie des Yiquan (意拳)

    Training of stance, perception and power development without fixed forms: standing practice (ritsuzen), walking (hai) and free practice are central.

    Origin: Japan (derived from Chinese Yiquan)Era: from the 1940s/1950sFounder: Kenichi Sawai (1903–1988), student of Wang XiangzhaiMartial art

    Grew out of Yiquan
  • Karate-Dō

    空手道 (Karate-dō) – “way of the empty hand” – originally 唐手 “China hand”, renamed in the 1930s

    空手道 · Karate Do · Shotokan, Gōjū-Ryū, Shitō-Ryū, Wadō-Ryū, Kyokushin · Begründer des modernen Karate: Gichin Funakoshi

    Unarmed martial art with punches, kicks and blocks, organized in kata and kumite. One of the most widespread combat sports in Europe.

    Origin: Japan (Okinawa)Era: roots from the 17th century, modern styles from around 1920Founder: Gichin Funakoshi (1868–1957) brought karate from Okinawa to Japan in 1922; forerunner Ankō Itosu (1831–1915)Martial art

    Grew out of Kung Fu (Gong Fu, 功夫) allgemein
    Historic photograph of Gichin Funakoshi, founder of modern karate
  • Judo

    柔道 – “the gentle way”

    柔道

    Throwing and grappling sport derived from Jiu Jitsu, Olympic since 1964. Its principle: use the opponent's force instead of opposing it.

    Origin: JapanEra: 1882 (Jigoro Kano)Founder: Jigorō Kanō (1860–1938), Kōdōkan in 1882Combat sport

    Grew out of Jiu Jitsu (Ju-Jutsu)
    Historic portrait of Jigorō Kanō, founder of judo
  • Jiu Jitsu (Ju-Jutsu)

    柔術 – “gentle art”

    柔術

    Historical samurai close-combat art for fighting unarmed or with short weapons: locks, throws, chokes. The origin of Judo and BJJ.

    Origin: JapanEra: samurai era, from approx. the 16th centuryMartial art

  • Aikido

    合気道 – “way of harmonising energy”

    合気道

    Japanese martial art of joint locks, throws and circular movement, practiced without competition. Emphasises harmony and redirection.

    Origin: JapanEra: 1920s–40s (Morihei Ueshiba)Founder: Morihei Ueshiba (1883–1969), known as ŌsenseiMartial art

    Grew out of Daitō-Ryū Aiki-Jūjutsu
    Historic photograph of Morihei Ueshiba, founder of aikido
  • Kendo

    剣道 – “way of the sword”

    剣道

    Japanese sword fencing with bamboo sword (shinai) and armour. Sport-regulated, with defined target areas and strong etiquette.

    Origin: JapanEra: from Kenjutsu, modern form from the 18th/19th centuryFounder: no single founder – from kenjutsu schools, modern form via the Dai Nippon Butoku Kai (from 1895)Combat sport

    Grew out of Kobudo
    Historic Japanese woodblock print: fencing practice with bamboo swords
  • Iaido

    居合道 – “way of drawing the sword”

    居合道

    The art of drawing the sword: draw, cut, cleanse and resheath in precise solo forms. No sparring, maximum precision.

    Origin: JapanEra: from Iaijutsu, from the 16th centuryMartial art

    Grew out of Kendo
  • Kyudo

    弓道 – “way of the bow”

    弓道

    Japanese archery as a “way” discipline with a strict ritual of movement. Posture matters as much as hitting the target.

    Origin: JapanEra: from the samurai archery schools, modern from the 20th centuryMartial art

    Historic Japanese depiction of archers with the yumi
  • Kobudo

    古武道 – “old martial way”

    古武道

    Weapon art with bo, sai, tonfa, nunchaku and kama, closely linked to Karate. Originally developed from everyday farming tools.

    Origin: Japan (Okinawa)Era: from the 17th centuryMartial art

    Kata with sai in Okinawan kobudō
  • Bujinkan

    武神館 – “hall of the divine warrior”

    武神館 · Schule · Ninjutsu-Linie

    Not a style of its own but an organisation combining nine old Japanese schools (ryūha); today the best-known vehicle for ninjutsu.

    Origin: JapanEra: founded from the 1970sFounder: Masaaki Hatsumi (1931–2024), founded in the 1970sTerm / person

    Not a style of its own – part of Ninjutsu
  • Katana

    刀 / 日本刀 – “sword” / “Japanese sword”

    刀 · japanisches Schwert

    The curved, single-edged blade of the samurai, made of folded steel with a differentially hardened edge. It was a secondary, close-range weapon – on the battlefield samurai used bow and spear first. Today it is trained in iaidō (drawing and cutting) and kendō (competition with the shinai).

    Origin: JapanEra: from the 14th centuryWeapon

    Not a style of its own – part of Iaido
    Historic Japanese katana in a museum display
  • Shuriken

    手裏剣 – “blade hidden in the hand”

    手裏剣 · Wurfklingen

    Small throwing blades – usually simple spikes (bo-shuriken), less often the famous stars. They were never a killing weapon but a tool for distraction and delay in ninjutsu and some samurai schools. The film image of the silent star-thrower is fiction.

    Origin: JapanEra: documented from the 17th centuryWeapon

    Not a style of its own – part of Ninjutsu
    Overview of different senban shuriken types
  • Bō, Sai, Tonfa, Nunchaku

    Waffen des Kobudō (Okinawa)

    The weapons of Okinawan kobudō come from everyday life and official duty: bō (carrying pole), sai (the forked weapon of law officers), tonfa (mill-stone handle) and nunchaku. They emerged at a time when weapon ownership on Okinawa was heavily restricted.

    Origin: OkinawaEra: 17th–19th centuryWeapon

    Not a style of its own – part of Kobudo
    Various nunchaku from Okinawan kobudō
  • Shōtōkan

    松濤館 – “hall of the pine waves” – after Funakoshi's pen name

    松濤館 · Shotokan Karate

    The most widespread karate style worldwide: long, deep stances, straight lines, clearly separated techniques. Named after “Shōtō”, Gichin Funakoshi's pen name.

    Origin: Japan (from Okinawa)Era: from 1936 (name of Funakoshi's training hall)Founder: Gichin Funakoshi (1868–1957) and his son Yoshitaka Funakoshi (1906–1945)Martial art

    Grew out of Karate-Dō
  • Gōjū-Ryū

    剛柔流 – “hard and soft school”

    剛柔流 · „harte und weiche Schule“

    Okinawan karate with short range, breathing work (sanchin) and circular blocks. Combines hard striking with soft redirection; clear southern Chinese influences.

    Origin: Japan (Okinawa, Naha)Era: named from 1933, rooted in 19th-century Naha-teFounder: Chōjun Miyagi (1888–1953), name used from 1933Martial art

    Grew out of Karate-Dō
  • Shitō-Ryū

    糸東流 – formed from the names of the teachers Itosu and Higaonna

    糸東流

    The kata-richest of the four major karate styles: Kenwa Mabuni preserved the traditions of his teachers Ankō Itosu (Shuri-te) and Kanryō Higaonna (Naha-te).

    Origin: Japan (Okinawa → Osaka)Era: founded in 1934Founder: Kenwa Mabuni (1889–1952)Martial art

    Grew out of Karate-Dō
  • Wadō-Ryū

    和道流 – “school of the way of harmony”

    和道流 · „Schule des Weges der Harmonie“

    Karate style with a strong jūjutsu share: evasion and body shifting (taisabaki) instead of force against force. Hironori Ōtsuka was a master of Shindō Yōshin-ryū before training with Funakoshi.

    Origin: JapanEra: founded in 1939Founder: Hironori Ōtsuka (1892–1982), founded in 1939Martial art

    Grew out of Karate-Dō
  • Kyokushin

    極真 – “ultimate truth”

    極真会館 · Kyokushinkai

    Full-contact karate: bouts without protective gear, punches to the body and kicks also to the head, punches to the head forbidden. Known for hard conditioning and breaking tests.

    Origin: JapanEra: founded in 1964Founder: Masutatsu “Mas” Oyama (1923–1994), founded in 1964Combat sport

    Grew out of Karate-Dō
  • Shōrin-Ryū

    少林流 – “Shaolin school”

    少林流 · Shuri-te

    Older Okinawan line with more natural, higher stances and fast angular steps. The name refers to the Chinese Shaolin tradition.

    Origin: Japan (Okinawa, Shuri)Era: named from 1933, rooted in 18th/19th-century Shuri-teFounder: Chōshin Chibana (1885–1969), student of Ankō ItosuMartial art

    Grew out of Karate-Dō
  • Daitō-Ryū Aiki-Jūjutsu

    大東流合気柔術 – “great eastern school of aiki-jūjutsu”

    大東流合気柔術

    Locking, throwing and controlling system from the samurai tradition and the direct predecessor of aikidō: Morihei Ueshiba was a student of Sōkaku Takeda.

    Origin: Japan (Aizu)Era: publicly taught from 1898Founder: Sōkaku Takeda (1859–1943) as the school’s reviverMartial art

    Grew out of Jiu Jitsu (Ju-Jutsu)
  • Tenshin Shōden Katori Shintō-Ryū

    天真正伝香取神道流 – “truly transmitted Katori Shintō school”

    天真正伝香取神道流 · Koryū-Kenjutsu

    One of Japan's oldest continuously transmitted martial schools (koryū): sword, staff, spear, naginata and short sword in fixed partner forms – war craft from before the sporting era.

    Origin: Japan (Katori, Chiba)Era: founded in the 15th centuryFounder: Iizasa Chōisai Ienao (approx. 1387–1488)Martial art

    Grew out of Kobudo
  • Naginata-jutsu / Atarashii Naginata

    薙刀術 – “art of the pole blade”

    薙刀術

    Fighting with the pole blade: wide arcs, range control, attacks to head, torso and shin. In the Edo period it was practiced above all by women of the warrior class.

    Origin: JapanEra: battlefield use from the 12th century, sport form from 1955Martial art

    Grew out of Kobudo
  • Jōdō / Jōjutsu

    杖道 – “way of the staff”

    杖道 · Shintō Musō-Ryū

    Fighting with the short staff (jō) against the sword. Tradition holds that Musō Gonnosuke developed it after a defeat by Miyamoto Musashi.

    Origin: JapanEra: 17th centuryFounder: Musō Gonnosuke (17th c.), Shintō Musō-ryūMartial art

    Grew out of Kobudo
  • Shooto

    修斗 – “to train fighting”

    修斗 · Shoot Wrestling

    Early Japanese MMA format combining wrestling, striking and submissions – a forerunner of today's mixed martial arts in Asia.

    Origin: JapanEra: founded in 1985Founder: Satoru Sayama (b. 1957), founded in 1985Combat sport

    Grew out of Jiu Jitsu (Ju-Jutsu)
  • Kudo (Daidō Juku)

    空道 – “way of emptiness”

    空道 · 大道塾

    Full-contact system with a head-protection visor: strikes, kicks, throws and ground fighting in one rule set – karate roots extended clearly towards all-round fighting.

    Origin: JapanEra: founded in 1981Founder: Azuma Takashi (b. 1949), Daidō Juku 1981Combat sport

    Grew out of Karate-Dō

Korea

  • Taekwondo

    태권도 (跆拳道) – “way of foot and fist”

    태권도

    Korean martial art with pronounced kicking technique and forms (poomsae), Olympic since 2000. Strongly rooted in European grassroots sport.

    Origin: KoreaEra: 1950sFounder: Choi Hong-hi (1918–2002) coined the name in 1955 and founded the ITF; the Olympic line runs via Kukkiwon/WTCombat sport

    Grew out of Karate-Dō
    Taekwondo demonstration: high kick during sparring
  • Hapkido

    합기도 (合氣道) – “way of coordinated energy”

    합기도

    Korean self-defense system of joint locks, throws, kicks and stick work. Combines soft redirection with hard techniques.

    Origin: KoreaEra: from the 1940s/50sFounder: Choi Yong-sool (1904–1986), student of the Daitō-ryū lineageSelf-defense system

    Grew out of Jiu Jitsu (Ju-Jutsu)
    Hapkido photograph with founder Choi Yong-sool at the Jungkikwan
  • Taekkyon

    택견 – “old foot-fighting game”

    택견 · 태껸

    The oldest transmitted Korean martial art: flowing footwork, a springing rhythm, kicks, pushes and leg sweeps. Regarded as the folk predecessor of the modern Korean systems.

    Origin: KoreaEra: documented from the 18th century, Korean intangible cultural heritage since 1983Founder: no single founder – folk tradition, modern transmission through Song Duk-ki (1893–1987)Martial art

    Grew out of Subak
    Two taekkyon practitioners competing with characteristic footwork
  • Ssireum

    씨름 – “wrestling”

    씨름 · koreanisches Ringen

    Korean belt wrestling in a sand ring: both grip the satba belt; whoever first touches the ground with knee or torso loses. UNESCO cultural heritage since 2018.

    Origin: KoreaEra: depictions from the 4th century, genre paintings from the 18th centuryCombat sport

    Historic genre painting “Ssireum” by Kim Hong-do, 18th century
  • Tang Soo Do

    당수도 (唐手道) – “way of the Tang hand”

    당수도 · Soo Bahk Do

    Korean system from the post-1945 kwan era: forms, hard hand and foot techniques, technically close to Shotokan karate but with Korean kicking work.

    Origin: KoreaEra: from 1945 (Hwang Kee, Moo Duk Kwan)Founder: Hwang Kee (1914–2002), Moo Duk Kwan 1945Martial art

    Grew out of Karate-Dō
    Tang Soo Do training with a long staff in the training hall
  • Kuk Sool Won

    국술원 (國術院) – “institute of national martial arts”

    국술원

    A comprehensive Korean system: throws, joint locks, kicks, breakfalls, weapons and breathing work. Presents itself as a synthesis of the Korean martial heritage.

    Origin: KoreaEra: founded in 1958 (In-hyuk Suh)Founder: In-hyuk Suh (b. 1939), founded in 1958Martial art

    Grew out of Hapkido
    Throwing technique in Kuk Sool Won
  • Hwa Rang Do

    화랑도 (花郎徒) – “way of the flowering youth”

    화랑도

    Modern Korean system covering striking, locking, throwing and weapons. The name refers to the hwarang, a youth and warrior elite of the Silla kingdom; a continuous historical lineage is not documented.

    Origin: KoreaEra: founded in 1960 (Joo Bang Lee), named after the hwarang of the Silla kingdomFounder: Joo Bang Lee (b. 1938), founded in 1960Martial art

    Grew out of Hapkido
  • Subak

    수박 (手搏) – “hand fighting”

    수박 · 手搏

    Historic Korean hand-fighting form, mentioned in court chronicles as an examination and contest discipline. Alongside taekkyon it is regarded as a root of the later Korean systems.

    Origin: KoreaEra: mentioned in Goryeo and Joseon chroniclesMartial art

Southeast Asia

  • Muay Thai

    มวยไทย – “Thai boxing”

    Thaiboxen

    Full-contact sport using fists, elbows, knees and kicks plus clinch work. Considered one of the toughest striking sports.

    Origin: ThailandEra: historical roots, modern rules from around 1920Combat sport

    Historic photograph of a muay boran bout in Bangkok, 1920s
  • Viet Vo Dao

    Việt Võ Đạo – “way of Vietnamese martial art”

    Vovinam

    Vietnamese martial art with strikes, kicks, scissor takedowns and weapon forms. Well established in France and Germany.

    Origin: VietnamEra: 1938 (Nguyen Loc)Martial art

  • Pencak Silat

    Pencak Silat – “artful movement” and “fighting”

    Umbrella term for hundreds of Indonesian Silat systems with low stances, locks, throws and blade work. Strongly regional in character.

    Origin: Indonesia / MalaysiaEra: historically grown, federation since 1948Martial art

  • Silat-Systeme (Harimau, Cimande u. a.)

    Family of Southeast Asian martial arts with distinctive low-line work and a strong knife culture. Every school has its own forms.

    Origin: Southeast AsiaEra: pre-colonial rootsTerm / person

    Grew out of Pencak Silat
  • Lethwei

    လက်ဝှေ့ – “fist fighting” (Burmese)

    Burmesisches Boxen

    The hardest variant of Southeast Asian ring fighting: fists, elbows, knees, kicks and additionally the head butt, traditionally without gloves. Known as the “art of nine limbs”.

    Origin: Myanmar (Burma)Era: historic roots, modern rules from the 20th centuryCombat sport

  • Bokator

    ល្បុក្កតោ (Labokkatao) – “pounding the lion”

    Kun Lbokator

    Ancient Khmer battlefield system with elbows, knees, throws, locks and weapons; the temple reliefs of Angkor depict its techniques. Rebuilt after being nearly lost entirely.

    Origin: CambodiaEra: roots in the Angkor era, revived from 2001Martial art

  • Vovinam

    Vovinam Việt Võ Đạo – “way of Vietnamese martial art”

    Vovinam Việt Võ Đạo

    The best-known Vietnamese system: strikes, kicks, locks, throws and its characteristic flying scissor leg techniques. Today practiced worldwide as competition and mass sport.

    Origin: Vietnam (Hanoi)Era: founded in 1938Founder: Nguyễn Lộc (1912–1960), founded in 1938Combat sport

    Grew out of Viet Vo Dao
  • Võ Cổ Truyền

    Võ Cổ Truyền – “transmitted martial art”

    Bình Định · traditionelles vietnamesisches Kampfsystem

    Umbrella term for Vietnam’s old village and family systems. Bình Định is regarded as its heartland: forms with stick, sabre and twin knives, close range, deep stances.

    Origin: Vietnam (Bình Định province)Era: traditional, documented from the 18th centuryMartial art

    Not a style of its own – part of Viet Vo Dao
  • Nhất Nam

    nordvietnamesisches System

    Built on old northern Vietnamese traditions: soft, evasive movement and attacks on sensitive points instead of matching strength with strength.

    Origin: Vietnam (Nghệ An / Thanh Hóa)Era: modern systematisation from 1983Founder: Ngô Xuân Bính (b. 1957)Martial art

    Grew out of Viet Vo Dao
  • Silat Cimande

    Pencak Silat Cimande · Westjava (Sunda)

    One of Java’s oldest silat schools: hard forearm work, deep stances, hand-edge strikes and its own healing tradition (bone setting and massage).

    Origin: Indonesia (West Java)Era: 18th centuryMartial art

    Not a style of its own – part of Pencak Silat
  • Setia Hati Terate

    PSHT · Pencak Silat, Ostjava

    Indonesia’s largest organized silat school: a fixed curriculum of strikes, kicks, throws and weapon forms combined with strict character training.

    Origin: Indonesia (Madiun, East Java)Era: founded in 1922Founder: Ki Ngabehi Soerodiwirjo (1869–1944)Martial art

    Not a style of its own – part of Pencak Silat
  • Kuntao

    Kun Tao · chinesisch-indonesische Systeme

    Umbrella term for the Kung Fu systems of Chinese emigrants in Southeast Asia that blended with silat. Marked by close range and much elbow and gripping work.

    Origin: Indonesia / Malaysia (Chinese communities)Era: handed down since the colonial eraMartial art

    Grew out of Kung Fu (Gong Fu, 功夫) allgemein
  • Tarung Derajat

    AA-Boxer · modernes indonesisches System

    Modern Indonesian full-contact system born from its founder’s street experience: direct punches, kicks and throws, officially used by military and police.

    Origin: Indonesia (Bandung, Java)Era: founded in the 1960sFounder: Achmad Dradjat (b. 1951)Self-defense system

    Grew out of Pencak Silat
  • Silat Melayu

    malaiisches Silat

    The root form of Malay silat: flowing footwork (langkah), control of the opponent’s limbs and the kris as the traditional weapon.

    Origin: Malaysia / Malay peninsulaEra: traditional, referenced from the 15th centuryMartial art

    Not a style of its own – part of Silat-Systeme (Harimau, Cimande u. a.)
  • Silat Seni Gayong

    Gayong · malaysische Schule

    Malaysia’s best-known silat school: throws, locks, knife work and ground positions – long a training basis for military and police.

    Origin: MalaysiaEra: founded in 1942Founder: Dato' Meor Abdul Rahman (1915–1991)Self-defense system

    Grew out of Silat Melayu
  • Silat Cekak

    Cekak Hanafi · Kedah

    A purely defensive system without forms: 21 fixed base defenses that only react to the attack and move straight into control.

    Origin: Malaysia (Kedah)Era: traditional, modern school from 1965Founder: Ustaz Hanafi bin Ahmad (systematised in 1962)Self-defense system

    Grew out of Silat Melayu
  • Tomoi

    malaysisches Kickboxen

    Northern Malaysian variant of Southeast Asian ring boxing with elbows, knees and clinch – closely related to muay thai, with its own music and opening dance.

    Origin: Malaysia (Kelantan, northern border)Era: traditional, sporting form from the 20th centuryCombat sport

    Grew out of Muay Thai
  • Krabi Krabong

    กระบี่กระบอง – “sword and staff”

    กระบี่กระบอง · Schwert und Stock

    Thai weapon art with sword (krabi), staff (krabong), twin swords and shield. Historically the military counterpart to unarmed muay boran.

    Origin: ThailandEra: weapon art of the Siamese army, sources from the 16th/17th centuryMartial art

    Krabi krabong demonstration with burning blades

Philippines – FMA

  • Pekiti-Tirsia Kali

    Filipino blade system focused on knife, double stick and aggressive angle work. Also taught in military contexts.

    Origin: PhilippinesEra: family system since 1897Founder: the Tortal family (from 1897), today led by Leo T. Gaje Jr.Martial art

    Not a style of its own – part of FMA – Filipino Martial Arts
  • Kalis / Kris

    Wellenklinge Südostasiens

    The flame-shaped blade of the Moro and the Malay world: at once a war weapon, a status symbol and a ritual heirloom. The waved edge widens the wound; in silat and the southern Philippine FMA lineages the kris is the core blade.

    Origin: Philippines, Indonesia, MalaysiaEra: documented from the 14th/15th centuryWeapon

    Not a style of its own – part of FMA – Filipino Martial Arts
    Malay-Indonesian kris with wavy blade
  • Barong & Bolo

    philippinische Arbeits- und Kriegsklingen

    Barong: the heavy leaf-shaped blade of the Tausug. Bolo: the ubiquitous field knife that cut everything from sugar cane to uprisings. Both were feared in the Philippine–American War and still shape the cutting angles of FMA.

    Origin: PhilippinesEra: traditional, documented in warfare around 1900Weapon

    Not a style of its own – part of FMA – Filipino Martial Arts
  • Balisong

    Butterflymesser · Batangas

    A folding knife with a split handle, carried in Batangas as an everyday and defensive knife. Relevant to FMA because opening it in the hand is itself part of the movement training.

    Origin: Philippines (Batangas)Era: documented from the 19th/20th centuryWeapon

    Not a style of its own – part of FMA – Filipino Martial Arts
    Philippine balisong folding knife, open and closed

India

  • Kalaripayattu

    കളരിപ്പയറ്റ് – “practice of the training ground (kalari)”

    One of India's oldest documented martial arts: wide footwork, jumps, stick and blade weapons up to the flexible urumi sword, combined with traditional medicine and massage.

    Origin: India (Kerala)Era: roots from the 11th/12th centuryFounder: no historical founder; tradition names the sages Parashurama (north) and Agastya (south)Martial art

    Kalaripayattu mock combat with traditional weapons in Kerala
  • Urumi

    ഉറുമി – “flexible sword”

    ഉറുമി · biegsames Peitschenschwert

    One or several flexible steel blades on a hilt, worn around the waist. The most dangerous weapon of kalaripayattu – above all for the untrained wielder, which is why it is taught only at the end of the curriculum.

    Origin: India (Kerala) – kalaripayattuEra: traditional, referenced from the 16th centuryWeapon

    Not a style of its own – part of Kalaripayattu
    Depiction of the flexible whip sword urumi
  • Silambam

    tamilischer Stockkampf

    One of the oldest documented stick-fighting arts: a long bamboo staff, circular movement, work at range. Historically the training of warriors and caravan guards in southern India.

    Origin: India (Tamil Nadu)Era: mentioned in Sangam texts from ca. the 2nd centuryMartial art

    Weapon set of southern Indian silambam with staffs and blades
  • Gatka

    Shastar Vidiya · Sikh-Waffenkunst

    The weapon art of the Sikh warriors with curved sword (kirpan), stick, shield and the throwing ring chakram. It grew out of the military defense of the Sikh community and today is also a religious and festive tradition.

    Origin: India (Punjab)Era: 17th/18th centuryFounder: rooted in the Sikh warrior tradition, shaped under Guru Hargobind (1595–1644)Martial art

  • Kali, Shiva & die indische Kampftradition

    Begriff · religiöser Hintergrund

    Not a style but the religious frame: Shiva is seen as the origin of dance and destruction, the goddess Kali as the force that overcomes time and fear. Kalaripayattu begins with a bow to master, ground and deity. Important distinction: the Philippine “kali” has nothing to do with the goddess – the name comes from the Southeast Asian language area.

    Origin: IndiaEra: traditionalTerm / person

    Not a style of its own – part of Kalaripayattu
  • Malla-Yuddha

    मल्लयुद्ध – “wrestlers' combat”

    मल्लयुद्ध · Kushti / Pehlwani

    Classical Indian wrestling with throws, clinches and ground control, mentioned in the Mahābhārata and Rāmāyaṇa. It lives on today in the clay-pit wrestling of kushti/pehlwani.

    Origin: Indian subcontinentEra: described in epics from around 400 BCCombat sport

  • Mardani Khel

    मर्दानी खेळ – “manly game” – war art of the Marathas

    मर्दानी खेळ

    Weapon art of the Marathas with the curved talwar, shield, spear and the flexible patta sword. Shaped by fast movement in rough hill country.

    Origin: India (Maharashtra)Era: Maratha era, 17th centuryMartial art

  • Thang-Ta (Huyen Langlon)

    ꯊꯥꯡ-ꯇꯥ – “sword and spear”

    ꯊꯥꯡ-ꯇꯥ · „Schwert und Speer“

    War art from Manipur with sword (thang) and spear (ta), complemented by the empty-hand area sarit sarak. Revived in the 20th century after British colonial rule.

    Origin: India (Manipur)Era: traditional, documented from the 17th centuryMartial art

  • Musti-Yuddha

    मुष्टियुद्ध – “fist combat”

    मुष्टियुद्ध · Muki Boxing

    Indian fist fighting with punches, kicks, knees and elbows, historically fought without hand protection. Closely tied to the wrestling yards (akhara).

    Origin: India (Varanasi among others)Era: ancient roots, contests into the 20th centuryCombat sport

  • Varma Kalai / Marma Adi

    வர்ம கலை – “art of the pressure points”

    வர்ம கலை

    The teaching of pressure points (varmam/marma) within kalaripayattu and southern Indian systems – historically always two-sided: attacking a point and treating the same point in traditional medicine.

    Origin: India (Tamil Nadu, Kerala)Era: traditional, textual sources from the medieval periodTerm / person

    Not a style of its own – part of Kalaripayattu

Europe – historical & modern

  • Bare-Knuckle Fights

    Bare-Knuckle Boxing · Prizefighting

    Fist fighting without boxing gloves, historically with long rounds and wrestling elements. Modern leagues use rule sets, hand wraps and weight classes.

    Origin: England, today internationalEra: 18th/19th century, modern competition scene since around 2018Combat sport

    Grew out of Boxen
    Historic portrait of bare-knuckle champion John L. Sullivan
  • Kickboxen

    Sporting combination of boxing punches and kicks across several rule sets (semi-contact through K-1). Very common in Europe.

    Origin: Japan / USA / EuropeEra: 1960s/70sCombat sport

    Grew out of Karate-Dō
  • Boxen

    Fist fighting focused on footwork, distance and guard. Provides the striking basics used in many modern systems.

    Origin: England / antiquityEra: ancient roots, modern rules from 1867Founder: no founder – rule sets by Jack Broughton (1743) and the Queensberry Rules (1867)Combat sport

    Grew out of Pankration
    Historic depiction of a boxing match at the National Sporting Club, 1919
  • Ringen / Wrestling

    The oldest combat sport: throws, control and ground work without strikes. Foundation for Sambo, Judo variants and MMA takedowns.

    Origin: worldwide, including EuropeEra: ancient roots, Olympic since 1896Combat sport

    Ancient Greek vase painting of two wrestlers
  • Savate

    Savate / Boxe française – “old shoe”

    Boxe française

    French kickfighting performed in shoes, combined with boxing technique. Elegant footwork under clear sporting rules.

    Origin: FranceEra: 19th centuryFounder: Charles Lecour (1808–1894) combined savate with English boxingCombat sport

    Grew out of Boxen
    Historic portrait of savate master Joseph Charlemont
  • Kampfringen (europäisch)

    Historical European wrestling with locks, throws and grips from the old fight books. Part of many HEMA curricula.

    Origin: Central EuropeEra: fight books from the 14th/15th centuryMartial art

    Grew out of HEMA – Historische Europäische Kampfkünste
  • Sportfechten

    Florett · Degen · Säbel

    Modern fencing sport with three weapons and electronic scoring. Focused on timing, distance and line work.

    Origin: EuropeEra: from historical fencing, Olympic since 1896Combat sport

    Grew out of HEMA – Historische Europäische Kampfkünste
  • La Verdadera Destreza

    La Verdadera Destreza – “the true skill”

    Spanische Fechtkunst · Rapier

    Spanish rapier fencing built on geometry, circular movement and exact distance work rather than strength. One of the most influential European weapon schools of the early modern era.

    Origin: SpainEra: from 1569 (Jerónimo Sánchez de Carranza)Founder: Jerónimo Sánchez de Carranza (1582) and Luis Pacheco de NarváezMartial art

    Grew out of HEMA – Historische Europäische Kampfkünste
    Historic engraving: two rapier fencers inside the geometric circle of destreza (Thibault, 1628)
  • Scherma di Coltello Siciliana

    Paranza corta · Scherma di bastone

    Southern Italian knife tradition passed on within families rather than taught in schools. Short blade, tight distance, heavy use of the free hand; related to the stick tradition “scherma di bastone”.

    Origin: Italy (Sicily, Calabria, Apulia)Era: documented from the 19th centurySelf-defense system

  • Jogo do Pau

    Jogo do Pau – “game of the stick” (Portuguese)

    Portuguese staff fighting with the long walking stave, originally developed for defense against several opponents. Wide arcs, footwork and control of space define the system.

    Origin: Portugal (Minho, Beiras)Era: documented from the 18th/19th centuryMartial art

    Historic depiction of Portuguese stick fighting, jogo do pau
  • Bartitsu

    Baritsu

    Early European hybrid of jiu jitsu, boxing, savate and walking-stick fighting for the Victorian street. Considered one of the first documented cross-training concepts.

    Origin: England (London)Era: 1898/99 (Edward Barton-Wright)Founder: Edward William Barton-Wright (1860–1951), London 1898/99Self-defense system

    Grew out of Jiu Jitsu (Ju-Jutsu)
  • Quarterstaff & Bare-Knuckle-Pugilismus

    English quarterstaff · Broughton Rules

    English folk fighting traditions: the quarterstaff of the rural population and bare-knuckle prizefighting, which received its first rule set in 1743. Modern boxing grew out of this line.

    Origin: EnglandEra: staff from the 16th century, boxing rules from 1743Martial art

    Grew out of Boxen
  • Canne de Combat

    Canne de combat – “fighting cane” (French)

    French stick fighting with the light walking cane, closely linked to savate. Fast, wide strikes from the wrist and pronounced footwork.

    Origin: FranceEra: 19th century, sportified from the 1970sFounder: codified as a sport by Maurice Sarry (1970s)Combat sport

  • Gouren

    Gouren – “wrestling” (Breton)

    Bretonisches Ringen

    Celtic wrestling tradition of Brittany: fought in a linen shirt, scored by a clean throw onto both shoulder blades. An oath of honour precedes the bout.

    Origin: France (Brittany)Era: Celtic roots, codified from 1930Combat sport

  • Glíma

    Glíma – “wrestling, game” (Old Norse)

    Icelandic national wrestling with a belt grip at hip and thigh: upright posture, constant circling, throws by timing rather than strength. One of Europe's oldest continuously practiced fighting traditions.

    Origin: Iceland / ScandinaviaEra: Viking age, modern form from 1900Combat sport

    Historic photograph of two glíma wrestlers in Iceland
  • Schwingen

    Schweizer Hosenlupf

    Alpine wrestling in a sawdust ring, gripping the opponent's drill breeches. Clearly regulated swings and throws, deeply rooted in Alpine rural culture.

    Origin: SwitzerlandEra: documented from the 13th centuryCombat sport

  • Pankration

    παγκράτιον (Pankration) – “all powers” – boxing and wrestling combined

    παγκράτιον

    Ancient all-round combat combining boxing and wrestling: strikes, kicks, throws, locks and chokes were allowed. Regarded as the earliest documented forerunner of today's free-fighting systems.

    Origin: GreeceEra: Olympic discipline from 648 BCCombat sport

    Grew out of Ringen / Wrestling
    Ancient Greek vase painting of a pankration bout
  • Griechisch-römisches Ringen

    Greco-Roman – wrestling above the waist only

    Greco-Roman Wrestling

    Wrestling style in which attacks are only allowed above the waist – no leg attacks. Throwing and lifting out of the upper-body clinch is central.

    Origin: France/Europe (the name references antiquity)Era: modern form from the 19th century, Olympic since 1896Combat sport

    Grew out of Ringen / Wrestling
    Olympic wrestling 1908: Richárd Weisz against Aleksandr Petrov
  • Paranza Corta

    paranza corta (ital.) – “short guard”

    Scherma di coltello · süditalienischer Messerkampf

    Italy’s best-known traditional knife fighting method: “short guard” – blade held close, body covered, small steps, cuts instead of wide swings. It grew out of the duelling culture of the Mezzogiorno and was passed on in closed, discreet schools.

    Origin: Italy (Naples, Apulia, Calabria)Era: 19th century, transmitted to this daySelf-defense system

    Grew out of Scherma di Coltello Siciliana
  • Bastone Genovese

    Stock, Messer und Raufkunst aus Genua

    A northern Italian folk tradition with walking stick, knife (coltello) and tripping (gambetto). Still taught in Genoa as a living lineage and documented in manuals.

    Origin: Italy (Genoa, Liguria)Era: 19th centurySelf-defense system

  • Liccasapuni

    liccasapuni (sizilianisch) – literally “soap licker” – nickname of the duelling knife

    Begriff · sizilianisches Duellmesser

    Not a style but the blade itself: the Sicilian duelling knife that gave its name to the formal duel of honour – fought with fixed rules, witnesses and limited cutting targets.

    Origin: Italy (Sicily)Era: 19th centuryTerm / person

    Not a style of its own – part of Scherma di Coltello Siciliana
  • Rapier

    Stoßdegen des 16./17. Jahrhunderts

    The civilian duelling weapon of the early modern period: a long, slim thrusting blade, often paired with dagger or cloak in the left hand. The basis of Spanish destreza and Italian fencing – and the ancestor of modern sport fencing.

    Origin: Spain, ItalyEra: approx. 1550–1700Weapon

    Not a style of its own – part of La Verdadera Destreza
    Hand holding a swept-hilt rapier in fencing guard
  • Messer & Dusack

    einschneidige europäische Kurzwaffen

    The “Grosses Messer” was the weapon of townspeople not permitted to carry a sword – single-edged, with a nail on the hilt. The dusack served as a practice weapon. Both are documented at length in the fight books of Talhoffer and Meyer.

    Origin: Central EuropeEra: 15th/16th centuryWeapon

    Not a style of its own – part of HEMA – Historische Europäische Kampfkünste

The Americas

  • Brazilian Jiu-Jitsu (BJJ)

    Ground-fighting system built on positional control, joint locks and chokes. Widespread internationally as a sport and as part of MMA training.

    Origin: Brazil (from Japan)Era: from the 1920s (Gracie family)Founder: Carlos and Hélio Gracie, building on the judoka Mitsuyo Maeda (1878–1941)Combat sport

    Grew out of Judo
  • Luta Livre

    Brazilian no-gi grappling that developed as a counterpart to BJJ. Fast transitions and a strong emphasis on leg locks.

    Origin: BrazilEra: from the 1920sFounder: Euclydes “Tatu” Hatem (1909–1984)Combat sport

    Grew out of Ringen / Wrestling
  • Vale Tudo

    Early Brazilian open-rules fighting format, literally “anything goes”. A direct predecessor of modern MMA.

    Origin: BrazilEra: from the 1920s/30sCombat sport

    Grew out of Brazilian Jiu-Jitsu (BJJ)
  • MMA – Mixed Martial Arts

    Competitive sport combining striking, kicking, throwing and grappling under one rule set. Not a traditional style, but a sporting format.

    Origin: USA / Brazil / JapanEra: modern format from 1993Founder: no founder – a competition format, popular worldwide from 1993 (UFC)Combat sport

    Grew out of Vale Tudo
  • Capoeira

    Capoeira – from Tupi/Portuguese – “cleared bushland”

    A blend of fighting, acrobatics, music and dance that emerged under slavery. Played in a circle (roda) to berimbau rhythms.

    Origin: Brazil (African roots)Era: 16th–19th centuryMartial art

    Historic depiction of a capoeira roda in Brazil, 19th century
  • Jeet Kune Do

    Concept formulated by Bruce Lee drawing on Wing Chun, fencing and boxing. Not a fixed style but a principle of reduction.

    Origin: USA (Chinese roots)Era: 1967 (Bruce Lee)Founder: Bruce Lee (1940–1973), named in 1967Self-defense system

    Grew out of Wing Chun Kung Fu
  • Okichitaw / Kriegskunst der Plains

    Tomahawk · Gunstock War Club · Lanze

    Fighting art of the Plains warriors with tomahawk, war club, lance and knife, complemented by wrestling and strikes from the same movement logic. Codified in Canada as Okichitaw.

    Origin: North America (Plains Cree, Canada)Era: historic warrior tradition, systematised in 1997Founder: George J. Lépine (b. 1962), Canada 1997Martial art

    Tomahawk – traditional weapon of the North American Plains warriors
  • Kajukenbo

    Karate · Judo · Kenpo · Boxen

    The first deliberately mixed American self-defense system: assembled from karate, judo/jiu-jitsu, kenpo and boxing, developed for hard street situations.

    Origin: USA (Hawaii, Palama Settlement)Era: founded in 1947Founder: Adriano Emperado and the “Black Belt Society”, Hawaii 1947Self-defense system

    Grew out of Kenpo Karate
  • Catch Wrestling

    Catch-as-catch-can

    Wrestling with submissions: throws, ground control and painful locks. Brought to the USA by carnival wrestlers and still the basis of many MMA holds.

    Origin: England (Lancashire) / USAEra: 19th centuryCombat sport

    Grew out of Ringen / Wrestling
  • Folkstyle Wrestling

    Collegiate Wrestling · US-Schulringen

    Wrestling as practiced in US schools and universities: control rather than throw points. It still shapes the takedown and cage game of many American MMA fighters.

    Origin: USAEra: since the early 20th centuryCombat sport

    Grew out of Ringen / Wrestling
  • 52 Blocks

    Jailhouse Rock · US-Straßenboxen

    A boxing system handed down in prison and street settings: tight guard, work from behind the shoulder shield, punches from unusual angles in very tight space.

    Origin: USA (east coast, New York)Era: 20th centurySelf-defense system

    Grew out of Boxen

Africa

How they connect

  • Nguni-Stockkampf

    Donga · Zulu stick fighting

    Two-stick system with an attacking and a shielding stick, traditionally used as a rite of passage for young men and at ceremonies. Emphasises range, cover and honourable conduct.

    Origin: South Africa (Nguni/Zulu)Era: traditional, still practiced todayMartial art

  • Dambe

    Dambe – “boxing” (Hausa)

    West African boxing of the Hausa: one wrapped striking hand (the “spear”), the other leading and covering (the “shield”). Bouts run in short, high-intensity rounds.

    Origin: Nigeria / Niger (Hausa)Era: traditional, organized in the 20th centuryCombat sport

Oceania

  • Mau Rākau & Haka

    Mau rākau – “to bear a weapon” (te reo Māori)

    Taiaha · Mere · Tewhatewha

    Māori weapon art with the taiaha (staff weapon), mere and tewhatewha – posture, gaze and voice are part of the technique. The haka was originally a war dance used to intimidate and to steel the mind before combat.

    Origin: New Zealand (Māori, Aotearoa)Era: pre-colonial tradition, revived from 1983Martial art

    Historic depiction of a Māori war dance (haka) with weapons
  • Coreeda & Bumerang-Waffen

    Aboriginal fighting arts · Woomera · Nulla-Nulla

    Wrestling tradition of Aboriginal Australia, tied to dance and ceremony and regulated today as Coreeda. The weapon repertoire included throwing sticks and boomerangs, the woomera spear-thrower and clubs such as the nulla-nulla.

    Origin: Australia (Aboriginal cultures)Era: very old tradition, modern form since the 1990sCombat sport

  • Aboriginal-Waffenkampf

    Nulla Nulla · Woomera · Bumerang

    Fighting and hunting arts of Australia’s First Nations: club (nulla nulla), hardwood shield, spear with throwing aid (woomera) and the fighting boomerang – practiced in regulated duels.

    Origin: Australia (First Nations)Era: traditional, thousands of years oldMartial art

  • Tasmanischer Speerkampf

    palawa · Tasmanien

    The fighting practice of Tasmania’s Aboriginal people: long fire-hardened wooden spears and throwing clubs used on the move. Documented only in early accounts and drawings.

    Origin: Tasmania (palawa people)Era: traditional, pre-colonialMartial art

  • Taiaha

    taiaha (te reo Māori) – long staff with a blade end

    Māori-Langwaffe · gehört zum Mau rākau

    The best-known Māori weapon: a wooden staff about body height with a blade end and a carved tongue head. It is used with thrusts, strikes and body rotation from a low stance.

    Origin: New Zealand (Aotearoa)Era: handed down from pre-colonial timesMartial art

    Not a style of its own – part of Mau Rākau & Haka
  • Patu / Mere

    patu / mere pounamu – “to strike” / jade club

    Māori-Kurzkeule

    A flat short club of stone, bone or jade (mere pounamu). A weapon of the closest range: thrust rather than swung, carried by leaders as a mark of rank.

    Origin: New Zealand (Aotearoa)Era: handed down from pre-colonial timesMartial art

    Not a style of its own – part of Mau Rākau & Haka
  • Haka

    haka (te reo Māori) – “dance with chant”

    Begriff · ritueller Kriegstanz der Māori

    Not a style but a ritual: a rhythmically stamped dance with chant, gaze and body tension. Before combat it served to intimidate, to test the other side’s intent and to steel oneself.

    Origin: New Zealand (Aotearoa)Era: traditionalTerm / person

  • Mata’a-Kriegertradition

    mata’a (Rapa Nui) – obsidian point

    Rapa Nui · Osterinsel

    The fighting tradition of Easter Island: obsidian points (mata’a) on spears and staffs, plus wooden clubs (ua, paoa). Recent research reads the mata’a more as tool and status weapon than as a pure killing blade.

    Origin: Rapa Nui (Easter Island)Era: approx. 17th/18th centuryMartial art

  • Haka Pei

    Rapa Nui · Mutprobe beim Tapati-Fest

    A traditional test of courage for young men: sliding down a steep volcanic slope on bound banana trunks. Not a duel, but part of warrior training – nerve under real risk.

    Origin: Rapa Nui (Easter Island)Era: traditional, today a festival contestCombat sport

Middle East & Russia

How they connect

  • Krav Maga

    קרב מגע (Krav Maga) – “contact combat”

    Krav Maga is a well-known self-defence system developed by Imi Lichtenfeld. His early experience in boxing, wrestling and resisting violent attacks in Bratislava shaped its development; from the 1940s onwards, the system evolved in what is now Israel and was later adapted for civilian use. Its core principles include simple, situation-specific movements, early recognition of danger, ending a threat as quickly as possible and escaping to safety. Today, Krav Maga is practised internationally within different civilian, police and military organisations; curricula and training methods vary between organisations.

    Origin: IsraelEra: from the 1940sFounder: Imi Lichtenfeld (1910–1998) for the Israeli defence forcesSelf-defense system

    Historical black-and-white photograph: two men practicing a defense against a strike in training
  • Systema

    Система – “the system”

    Russian close-combat system built on breathing, relaxation and movement rather than fixed technique catalogues. Very soft in execution.

    Origin: RussiaEra: modern form from the 1990sFounder: spread in modern times by Mikhail Ryabko and Vladimir VasilievSelf-defense system

  • Sambo

    САМБО – “self-defense without a weapon”

    Wrestling system derived from Judo and regional grappling styles; Combat Sambo adds strikes. Strong in throws and leg locks.

    Origin: Soviet Union / RussiaEra: 1920s/30sFounder: Viktor Spiridonov, Vasili Oshchepkov and Anatoly Kharlampiev (1920s/30s)Combat sport

    Grew out of Judo

Terms & people

  • Budō

    武道 – “way of martial arts”

    武道 – „Weg des Kampfes“

    Umbrella term for the Japanese martial ways, where personal development matters alongside technique – in contrast to purely combative bujutsu.

    Origin: JapanEra: modern term, rooted in bujutsuTerm / person

  • Bushidō

    武士道 – “way of the warrior”

    武士道 – „Weg des Kriegers“

    The samurai code of values: integrity, courage, respect, self-control and loyalty. It still shapes conduct in many training halls today.

    Origin: JapanEra: codified mainly during the Edo periodTerm / person

  • Wu Dao

    武道 (Wǔdào) – “way of martial arts”

    武道 · Wǔdào – „Weg der Kampfkunst“

    The Chinese counterpart to budō: martial art as a path of practice with an inner attitude, not merely a collection of techniques.

    Origin: ChinaEra: classical termTerm / person

  • Ng Mui

    五枚 – name of the legendary nun

    五枚 · Ng Mui Si Tai

    Legendary nun regarded as the founder of Wing Chun, said to have passed her knowledge to its namesake Yim Wing Chun. Not historically documented, yet formative for the system's self-image.

    Origin: China (legend, southern/south-western China)Era: traditionally placed in the 17th/18th centuryTerm / person

  • Sandalen im Training

    Zōri · Waraji · Trainingsschuhwerk

    Traditionally sandals (zōri, waraji) were worn up to the training area and taken off before stepping on. At CFC in Villach we train barefoot or in clean non-slip socks.

    Origin: East AsiaEra: traditionalTerm / person

  • Eskrima, Arnis, Kali – die Wortbedeutung

    Esgrima · Arnés · Kali – “fencing” · “armour” · old collective term

    Begriff · gehört zu den FMA

    Not a style of its own but three names for the same family: eskrima comes from Spanish esgrima (“fencing”), arnis from arnés (“armour”, via the stage combat arnis de mano), kali is the older collective term used mainly in the south.

    Origin: PhilippinesEra: terms in use since the colonial eraTerm / person

    Not a style of its own – part of FMA – Filipino Martial Arts
  • Puño

    Puño – “fist”, also the butt of the stick

    Begriff · gehört zu den FMA

    Not a style but a term: “fist”, and also the short butt of the stick below the gripping hand. It is used at close range to strike, hook and control – in eskrima effectively a third hand.

    Origin: Philippines (Spanish loan word)Era: historically grownTerm / person

    Not a style of its own – part of FMA – Filipino Martial Arts
  • Kamot

    Kamot – “hand” (Cebuano)

    Begriff · gehört zum Pangamut (FMA)

    Not a style but the word for “hand”. Kamot-kamot refers to empty-hand work in which stick and knife movements are transferred to the bare hand.

    Origin: Philippines (Cebuano)Era: historically grownTerm / person

    Not a style of its own – part of Pangamut
  • Wu Wei

    無為 (Wúwéi) – “action through non-action”

    無為 · Prinzip · daoistische Grundhaltung

    Not a style but a principle: “action through non-action”. It does not mean passivity but effortless, unforced action in tune with the situation – never forcing, never running against the opponent’s force. In the internal systems (tai chi, yiquan) and in Wing Chun it shows as yielding, sticking and acting at the right moment instead of strength against strength.

    Origin: China (Daoism, Laozi’s “Daodejing”)Era: from approx. the 4th century BCTerm / person

    Not a style of its own – part of Tai Chi Chuan
  • Zhan Zhuang

    站樁 – “standing like a post”

    站樁 · Begriff · Standübung der inneren Systeme

    Not a style but the “standing like a post” exercise: motionless postures training structure, breathing and body awareness. A core practice in yiquan, taikiken and many tai chi lines.

    Origin: ChinaEra: traditionally transmittedTerm / person

    Not a style of its own – part of Yiquan
  • Ip Man (Yip Man)

    葉問 – name of the Wing Chun master

    葉問 · Person · Wing-Chun-Meister in Hongkong

    Not a style but the person who taught Wing Chun publicly in Hong Kong from 1949 and thereby made it known worldwide. Nearly every lineage today traces back to his students.

    Origin: China / Hong KongEra: 1893–1972Term / person

    Not a style of its own – part of Wing Chun Kung Fu
  • Bruce Lee

    李小龍 – “Lee, little dragon”

    李小龍 · Person · Begründer des Jeet Kune Do

    Not a style but the person: a Wing Chun student in Hong Kong, later the developer of Jeet Kune Do and the trigger of the worldwide martial arts wave of the 1970s.

    Origin: Hong Kong / USAEra: 1940–1973Term / person

    Not a style of its own – part of Jeet Kune Do
  • Speer & Lanze

    die meistgenutzte Waffe der Geschichte

    No weapon decided more battles: the Greek phalanx, the Roman pilum, the Japanese yari, the Chinese qiang, the spears of First Nations and Tasmania. Reach, cheap production and fast training made it every army’s standard weapon long before the sword became a symbol.

    Origin: worldwideEra: Stone Age to the 19th centuryWeapon

    Historic spearhead with shaft
  • Pfeil und Bogen

    Langbogen · Reflexbogen · Yumi

    The decisive ranged weapon of the pre-modern world: the English longbow at Crécy and Agincourt, the Mongol recurve bow from horseback, the Japanese yumi in kyūdō. A bow could kill an armoured knight at long range – which is why archery practice was compulsory by law in England.

    Origin: worldwideEra: Neolithic to the modern eraWeapon

    Historic Japanese depiction of bow, arrows and target
  • Guoshu / Wushu

    國術 / 武術 – “national art” / “war art”

    國術 „Nationalkunst“ · 武術 „Kriegskunst“

    Not a style but two umbrella terms: wǔshù literally means “war art” and is the neutral term for all Chinese systems. Guóshù (“national art”) was the name of the 1928 state central institute meant to organize martial arts as military and civic training. After 1949 wushu on the mainland became increasingly a sport and performance discipline, while in Taiwan guoshu denotes the combat-oriented line.

    Origin: ChinaEra: guoshu from 1928, wushu from 1949Term / person

    Not a style of its own – part of Kung Fu (Gong Fu, 功夫) allgemein

Missing a system?

The lexicon is extended continuously. Tell us which system or term we should add – we research it and add a short entry.